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With The Desolation of Smaug, we’re into the middle third of Peter Jackson’s three-part adaptation of J. R. R. Tolkien’s The Hobbit, a two-year, nearly eight-hour project. The almost impossibly hazardous odyssey of the characters—the dwarves, elves, largish, violent goblinesque orcs, wizards, assorted other creatures, and ordinary mortals—is proceeding according to the movie-makers’ somewhat grandiose scheme, but for those not enrolled in the Tolkien-fan tribe, this cinematic saga can sometimes be more a perplexing slog than compellingly Odyssean.
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