It’s entirely possible that more music fans have felt the influence of tenor saxophonist Dewey Redman than have actually heard his music—or perhaps realize that they have heard it. Yet influence, as they say, is the longest-lasting form of commendation. No matter, it’s doubtful that Redman ever set out to find widespread acclaim, as the musician has spent his entire life creating a body of work that is challenging, innovative and adventurous—qualities not normally associated with an artist looking for mass popularity. Both as a band leader and collaborator, Redman has played with some of the most deeply loved—and frequently controversial—figures in jazz. Names like Ornette Coleman, Keith Jarrett and Pat Metheny pepper Redman’s playing resumé and the musician’s work with the Art Ensemble of Chicago has provided many listeners with hours of pleasure or, alternately, hours of debate over the finer points of the free jazz movement. Redman’s style has always incorporated a variety of styles, from bebop to blues to swing and freeform. Now, 40 years into his career, this saxophonist’s playing and presence continue to influence generations of musicians.

Sunday, March 12 at 3pm. Albright-Knox Art Gallery, 1285 Elmwood Ave. (270-8292). $21 general.