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If it’s still true that the demographic that drives Hollywood is the 18- to 35-year-olds, then I fail to see the market potential in remaking a movie that was released the year in which the oldest of those potential viewers were born.
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Reviews of movies with the actor Steve Zahn, whose face you would recognize from numerous supporting parts even if the name doesn’t ring a bell, almost inevitably contain the word “puppy.”
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Not surprisingly for a film that reunited the stars of Y Tu Mamá También, the movie that kicked off the international resurgence of Mexican cinema in the last decade, Rudo y Cursi was a huge hit in Mexico.
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For nearly 35 years, it’s been a tenet of the commercial theatre world that Buffalo’s Michael Bennett created a musical-theatre breakthrough when he conceived, shepherded and dragooned into existence the 1975 phenomenon, A Chorus Line.
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There’s only one scene in The Merry Gentleman where star and director Michael Keaton operates with the quietly tense, witty and recessive authority he used to employ in films like Batman.
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