|
|
|
by Joe Sweeny
|
|
The eighth album from Eels, End Times, is its bleakest work yet. And that really says something. Since the band—essentially a one-man show with a rotating mix of instrumentalists rounding it out—released its universally acclaimed second album, Electro-Shock Blues, in 1998, its oeuvre has been dominated by themes of untimely death and nihilistic loneliness.
|
|
by Eric Kendall
|
|
Digging in the dirt for gold is Light in the Attic’s M.O., proving it to be a label that quality-loving music fans can truly count on. Take this record, for example, re-released by Light in the Attic in 2008.
|