This week, Mary Gordon Murray is coming to Shea’s Buffalo to play Fräulein Schneider, the older German woman with a Jewish suitor in Kander and Ebb’s Cabaret . I couldn’t be more thrilled!
Playwright Gary Earl Ross shares with many playwrights of our time, the influence of television. His scripts reverberate with deliberate echoes of such shows of the 1950s and ‘60s as “Perry Mason,” “The Untouchables,” and “Alfred Hitchcock Presents.” Ross artfully subverts the formulas of those tele
“Love is all truth; Lust full of forged lies,” or so Shakespeare would have us believe. In a medium that plumbs the depths of human truth, this week, three of Buffalo’s theaters explore the untruths that allow human beings to strut and fret our way through love. To be specific, these plays demonstra
Stage and screen star Alfred Molina (pictured above) is currently playing director Robert Aldrich in FX’s Feud: Bette and Joan . He is also starring (through March 18 th ) in the Geffen Playhouse production of Long Day’s Journey into Night . Molina made his Broadway debut in Yasmina Reza ’s play Art
Arthur Miller’s A View from the Bridge is the story of Eddie, a man whose possessive desire for his own niece prompts him to betray his family and community in order to keep the young woman from marrying. In his program notes for the Kavinoky Theatre’s engaging production, director Robert Waterhouse
